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		<title>Premonizioni del Settantasette</title>
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		<pubDate>Mon, 27 Nov 2017 11:00:47 +0000</pubDate>
		<dc:creator><![CDATA[Franco Bifo Berardi - Emiliano Sbaraglia]]></dc:creator>
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		<description><![CDATA[Se forse gli anni settanta non iniziano con le rivolte del 1968 ma vi trovano la loro origine mitica, probabilmente finiscono come in una tragedia greca con il 1977. Segnala Nicola Tranfaglia che in tale pagina «in buona parte ignota <a class="mh-excerpt-more" href="/mag/premonizioni-del-settantasette/" title="Premonizioni del Settantasette">[...]</a>]]></description>
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		<title>Berlino dopo l’unione</title>
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		<pubDate>Sun, 30 Oct 2016 11:00:58 +0000</pubDate>
		<dc:creator><![CDATA[Claudio Comandini]]></dc:creator>
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		<description><![CDATA[Benjamin: il paesaggio berlinese e l’orologio della storia. Il Muro, Checkpoint Charlie e la Deutsch Bank. Derrida e gli spettri. Frattura e unione nei Throbbing Gristle e negli Einstürzende Neubauden, e altre belle canzoni. Appunti di geofilosofia tra Hegel e <a class="mh-excerpt-more" href="/mag/berlino-dopo-lunione/" title="Berlino dopo l’unione">[...]</a>]]></description>
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		<title>Brexit: come perdere contro se stessi</title>
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		<pubDate>Fri, 15 Jul 2016 10:00:01 +0000</pubDate>
		<dc:creator><![CDATA[Claudio Comandini]]></dc:creator>
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		<category><![CDATA[Philip Dick]]></category>
		<category><![CDATA[rock]]></category>
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		<description><![CDATA[Quali segnali cogliere dall&#8217;esito del referendum inglese? Quali prospettive per un&#8217;Europa incerta e per l&#8217;incertezza di ogni sua nazione? Il paese è ancora in vendita un tanto alla libbra? &#160; 1. Dettagli e decisioni Ogni mondo cresce con un’architettura. Il <a class="mh-excerpt-more" href="/mag/brexit-come-perdere-contro-se-stessi/" title="Brexit: come perdere contro se stessi">[...]</a>]]></description>
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		<title>Cinque questioni su David Bowie</title>
		<link>/mag/cinque-questioni-su-david-bowie/</link>
		<pubDate>Fri, 15 Jan 2016 11:00:19 +0000</pubDate>
		<dc:creator><![CDATA[Claudio Comandini]]></dc:creator>
				<category><![CDATA[arte]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[Diario]]></category>
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		<category><![CDATA[Claudio Comandini]]></category>
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		<category><![CDATA[fantascienza]]></category>
		<category><![CDATA[Kubrick]]></category>
		<category><![CDATA[Nietzsche]]></category>
		<category><![CDATA[rock]]></category>
		<category><![CDATA[sessualità]]></category>

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		<description><![CDATA[Fantascienza, società, religione, sessualità e arte nelle canzoni di un grande maestro. &#160; In 2001: A Space Odissey di Kubrick un astronauta si perde nello spazio; qualcuno, piuttosto incerto nella carriera e negli affetti, vide la scena e cantò: «Planet earth is blue, and <a class="mh-excerpt-more" href="/mag/cinque-questioni-su-david-bowie/" title="Cinque questioni su David Bowie">[...]</a>]]></description>
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