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	<title>Montale</title>
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	<description>Testi e tessiture: la scrittura e le sue declinazioni</description>
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		<title>Montale e Kavàfis nella lettura di Cristiano Luciani</title>
		<link>/mag/montale-kavafis-cristiano-luciani/</link>
		<pubDate>Thu, 21 Sep 2017 10:00:13 +0000</pubDate>
		<dc:creator><![CDATA[Claudio Comandini]]></dc:creator>
				<category><![CDATA[Diario]]></category>
		<category><![CDATA[letteratura]]></category>
		<category><![CDATA[poesia]]></category>
		<category><![CDATA[storia]]></category>
		<category><![CDATA[Claudio Comandini]]></category>
		<category><![CDATA[contingenza]]></category>
		<category><![CDATA[Cristiano Luciani]]></category>
		<category><![CDATA[Grecia]]></category>
		<category><![CDATA[Kavàfis]]></category>
		<category><![CDATA[Montale]]></category>
		<category><![CDATA[Premio Nobel]]></category>
		<category><![CDATA[Sbarbaro]]></category>
		<category><![CDATA[Sefèris]]></category>

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		<description><![CDATA[Disincanto, ironia, lingua fluida, miti rovesciati e tempo non lineare in Montale e Kavàfis nella lettura di Cristiano Luciani. &#160; I percorsi della poesia attraversano distanze di tempo e luogo e si intrecciano creando legami non immediatamente percepibili. Il poeta <a class="mh-excerpt-more" href="/mag/montale-kavafis-cristiano-luciani/" title="Montale e Kavàfis nella lettura di Cristiano Luciani">[...]</a>]]></description>
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		<title>La luce, il paesaggio e il confine in Francesco Biamonti</title>
		<link>/mag/la-luce-il-paesaggio-e-il-confine-in-francesco-biamonti/</link>
		<pubDate>Sat, 20 Feb 2016 11:00:08 +0000</pubDate>
		<dc:creator><![CDATA[Serena Grizi]]></dc:creator>
				<category><![CDATA[letteratura]]></category>
		<category><![CDATA[narrazioni]]></category>
		<category><![CDATA[Rivista]]></category>
		<category><![CDATA[Calvino]]></category>
		<category><![CDATA[Liguria]]></category>
		<category><![CDATA[Montale]]></category>
		<category><![CDATA[Scritture]]></category>
		<category><![CDATA[Serena Grizi]]></category>

		<guid isPermaLink="false">http://scritture.mirtillo.pedani.it/?p=76</guid>
		<description><![CDATA[«Mi piace non dire niente; io sono da cancellare; la mia vita non conta nulla; i miei natali non hanno importanza; il mio paese è insignificante». Così Francesco Biamonti si presenta in un’intervista di Paola Mallone: discreto e appartato, a lungo tempo <a class="mh-excerpt-more" href="/mag/la-luce-il-paesaggio-e-il-confine-in-francesco-biamonti/" title="La luce, il paesaggio e il confine in Francesco Biamonti">[...]</a>]]></description>
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		<item>
		<title>Montale prima e dopo il novecento</title>
		<link>/mag/montale-novecento/</link>
		<pubDate>Wed, 06 May 2015 10:00:03 +0000</pubDate>
		<dc:creator><![CDATA[Claudio Comandini]]></dc:creator>
				<category><![CDATA[arte]]></category>
		<category><![CDATA[comunicazione]]></category>
		<category><![CDATA[Diario]]></category>
		<category><![CDATA[letteratura]]></category>
		<category><![CDATA[poesia]]></category>
		<category><![CDATA[società]]></category>
		<category><![CDATA[Alfieri]]></category>
		<category><![CDATA[Baudelaire]]></category>
		<category><![CDATA[Boutroux]]></category>
		<category><![CDATA[Calvino]]></category>
		<category><![CDATA[Caproni]]></category>
		<category><![CDATA[Carducci]]></category>
		<category><![CDATA[Claudio Comandini]]></category>
		<category><![CDATA[contingenza]]></category>
		<category><![CDATA[D’Annunzio]]></category>
		<category><![CDATA[Govoni]]></category>
		<category><![CDATA[Luzi]]></category>
		<category><![CDATA[Montale]]></category>
		<category><![CDATA[Nietzsche]]></category>
		<category><![CDATA[Pascoli]]></category>
		<category><![CDATA[Pasolini]]></category>
		<category><![CDATA[Pound]]></category>
		<category><![CDATA[Premio Montale]]></category>
		<category><![CDATA[Rimbaud]]></category>
		<category><![CDATA[Sannazzaro]]></category>
		<category><![CDATA[Verlaine]]></category>
		<category><![CDATA[Zanzotto]]></category>

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		<description><![CDATA[La storia letteraria di un ventenne di un secolo fa. La cura d&#8217;anime delle scuole e l&#8217;uomo che interroga se stesso. L&#8217;arte e le palle al balzo. Contingenza e poesia. Contro il bello. Leggerezza e profondità. La mercificazione dell&#8217;arte. Il <a class="mh-excerpt-more" href="/mag/montale-novecento/" title="Montale prima e dopo il novecento">[...]</a>]]></description>
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		<title>Il Premio Frascati: la poesia e la provincia del secolo passato</title>
		<link>/mag/il-premio-frascati-poesia-provincia/</link>
		<pubDate>Wed, 24 Dec 2014 11:00:52 +0000</pubDate>
		<dc:creator><![CDATA[Claudio Comandini]]></dc:creator>
				<category><![CDATA[Diario]]></category>
		<category><![CDATA[letteratura]]></category>
		<category><![CDATA[poesia]]></category>
		<category><![CDATA[società]]></category>
		<category><![CDATA[Barberi Squarotti]]></category>
		<category><![CDATA[Berlusconi]]></category>
		<category><![CDATA[Bertolucci]]></category>
		<category><![CDATA[Betocchi]]></category>
		<category><![CDATA[Bevilacqua]]></category>
		<category><![CDATA[Bigiaretti]]></category>
		<category><![CDATA[Caproni]]></category>
		<category><![CDATA[Claudio Comandini]]></category>
		<category><![CDATA[Contini]]></category>
		<category><![CDATA[Cordelli]]></category>
		<category><![CDATA[Croce]]></category>
		<category><![CDATA[De Angelis]]></category>
		<category><![CDATA[de Libero]]></category>
		<category><![CDATA[De Nardis]]></category>
		<category><![CDATA[Emerico Giachery]]></category>
		<category><![CDATA[Fabiani]]></category>
		<category><![CDATA[Fiore]]></category>
		<category><![CDATA[Frabotta]]></category>
		<category><![CDATA[Frascati]]></category>
		<category><![CDATA[Gatto]]></category>
		<category><![CDATA[Giulio Ferroni]]></category>
		<category><![CDATA[Grillandi]]></category>
		<category><![CDATA[Guidacci]]></category>
		<category><![CDATA[Heidegger]]></category>
		<category><![CDATA[Hölderlin]]></category>
		<category><![CDATA[Leibniz]]></category>
		<category><![CDATA[Montale]]></category>
		<category><![CDATA[Moro]]></category>
		<category><![CDATA[Pagliarani]]></category>
		<category><![CDATA[Paris]]></category>
		<category><![CDATA[Parronchi]]></category>
		<category><![CDATA[Pasolini]]></category>
		<category><![CDATA[Petroni]]></category>
		<category><![CDATA[Petrucciani]]></category>
		<category><![CDATA[Premio Frascati]]></category>
		<category><![CDATA[Premio Montale]]></category>
		<category><![CDATA[Raboni]]></category>
		<category><![CDATA[Reale]]></category>
		<category><![CDATA[Rebora]]></category>
		<category><![CDATA[Riviello]]></category>
		<category><![CDATA[Sanguineti]]></category>
		<category><![CDATA[Santilli]]></category>
		<category><![CDATA[Sciascia]]></category>
		<category><![CDATA[Seccareccia]]></category>
		<category><![CDATA[Simongini]]></category>
		<category><![CDATA[Socrate]]></category>
		<category><![CDATA[Spagnoletti]]></category>
		<category><![CDATA[Spaziani]]></category>
		<category><![CDATA[Vigolo]]></category>
		<category><![CDATA[Zanzotto]]></category>

		<guid isPermaLink="false">http://scritture.mirtillo.pedani.it/?p=301</guid>
		<description><![CDATA[La fondazione di un premio letterario nell’Italia della ricostruzione. La poesia di Giorgio Caproni. Testimonianza di Antonio Seccareccia. Il secondo novecento da Alfonso Gatto ad Andrea Zanzotto. La poesia e la comunicazione. Guardare la pioggia. &#160; 1. Poeti amici Un <a class="mh-excerpt-more" href="/mag/il-premio-frascati-poesia-provincia/" title="Il Premio Frascati: la poesia e la provincia del secolo passato">[...]</a>]]></description>
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		<item>
		<title>Halloween dietro le quinte</title>
		<link>/mag/halloween-dietro-le-quinte/</link>
		<pubDate>Mon, 27 Oct 2014 11:00:01 +0000</pubDate>
		<dc:creator><![CDATA[Claudio Comandini]]></dc:creator>
				<category><![CDATA[antropologia]]></category>
		<category><![CDATA[Diario]]></category>
		<category><![CDATA[filosofia]]></category>
		<category><![CDATA[fumetti]]></category>
		<category><![CDATA[letteratura]]></category>
		<category><![CDATA[religioni]]></category>
		<category><![CDATA[società]]></category>
		<category><![CDATA[storia]]></category>
		<category><![CDATA[Angelo Brelich]]></category>
		<category><![CDATA[Apocalisse]]></category>
		<category><![CDATA[Augé]]></category>
		<category><![CDATA[cattolicesimo]]></category>
		<category><![CDATA[Celti]]></category>
		<category><![CDATA[chassidismo]]></category>
		<category><![CDATA[Chateaubriand]]></category>
		<category><![CDATA[Claudio Comandini]]></category>
		<category><![CDATA[Ebrei]]></category>
		<category><![CDATA[Etruschi]]></category>
		<category><![CDATA[Gallia]]></category>
		<category><![CDATA[Gide]]></category>
		<category><![CDATA[Giove]]></category>
		<category><![CDATA[Grecia]]></category>
		<category><![CDATA[Irlanda]]></category>
		<category><![CDATA[James Frazer]]></category>
		<category><![CDATA[Kant]]></category>
		<category><![CDATA[Kenneth Grant]]></category>
		<category><![CDATA[Luciano di Samosata]]></category>
		<category><![CDATA[Machpelah]]></category>
		<category><![CDATA[Misteri Eleusini]]></category>
		<category><![CDATA[Montale]]></category>
		<category><![CDATA[new age]]></category>
		<category><![CDATA[paganesimo]]></category>
		<category><![CDATA[Peanuts]]></category>
		<category><![CDATA[Penati]]></category>
		<category><![CDATA[Perniola]]></category>
		<category><![CDATA[Persefone]]></category>
		<category><![CDATA[Qabbalah]]></category>
		<category><![CDATA[Qiliphoth]]></category>
		<category><![CDATA[Roma]]></category>
		<category><![CDATA[Swedenborg]]></category>

		<guid isPermaLink="false">http://scritture.mirtillo.pedani.it/?p=393</guid>
		<description><![CDATA[La morte, il marketing e la rimozione. Culto dei defunti presso Greci, Romani, Ebrei e Celti. Paganesimi e cattolicesimo. Morte e fertilità nei culti antichi. Modernità e spiritualizzazione della morte. Swedenborg e Kant. Montale e i Peanuts. Economia di morte <a class="mh-excerpt-more" href="/mag/halloween-dietro-le-quinte/" title="Halloween dietro le quinte">[...]</a>]]></description>
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		<title>La palude letteraria</title>
		<link>/mag/la-palude-letteraria/</link>
		<pubDate>Thu, 31 Jul 2014 10:00:55 +0000</pubDate>
		<dc:creator><![CDATA[Claudio Comandini]]></dc:creator>
				<category><![CDATA[Diario]]></category>
		<category><![CDATA[editoria]]></category>
		<category><![CDATA[filosofia]]></category>
		<category><![CDATA[letteratura]]></category>
		<category><![CDATA[narrazioni]]></category>
		<category><![CDATA[Alfred Döblin]]></category>
		<category><![CDATA[Ammaniti]]></category>
		<category><![CDATA[Arbasino]]></category>
		<category><![CDATA[Arminio]]></category>
		<category><![CDATA[Augé]]></category>
		<category><![CDATA[Balzac]]></category>
		<category><![CDATA[Baricco]]></category>
		<category><![CDATA[Baudelaire]]></category>
		<category><![CDATA[Benjamin]]></category>
		<category><![CDATA[Berardinelli]]></category>
		<category><![CDATA[Burroughs]]></category>
		<category><![CDATA[Busi]]></category>
		<category><![CDATA[Calvino]]></category>
		<category><![CDATA[Carofiglio]]></category>
		<category><![CDATA[Cassirer]]></category>
		<category><![CDATA[Cavazzoni]]></category>
		<category><![CDATA[Celati]]></category>
		<category><![CDATA[Céline]]></category>
		<category><![CDATA[Cicerone]]></category>
		<category><![CDATA[Claudio Comandini]]></category>
		<category><![CDATA[Cordelli]]></category>
		<category><![CDATA[Cortellessa]]></category>
		<category><![CDATA[D’Annunzio]]></category>
		<category><![CDATA[De Cataldo]]></category>
		<category><![CDATA[Derrida]]></category>
		<category><![CDATA[Di Consoli]]></category>
		<category><![CDATA[Di Paolo]]></category>
		<category><![CDATA[Di Stefano]]></category>
		<category><![CDATA[Dubois]]></category>
		<category><![CDATA[Eco]]></category>
		<category><![CDATA[Falco]]></category>
		<category><![CDATA[Flaubert]]></category>
		<category><![CDATA[Gide]]></category>
		<category><![CDATA[Giulio Ferroni]]></category>
		<category><![CDATA[Goethe]]></category>
		<category><![CDATA[Günther Grass]]></category>
		<category><![CDATA[Hegel]]></category>
		<category><![CDATA[Lagioia]]></category>
		<category><![CDATA[Lyotard]]></category>
		<category><![CDATA[Magrelli]]></category>
		<category><![CDATA[Manganelli]]></category>
		<category><![CDATA[Maupassant]]></category>
		<category><![CDATA[Mauresing]]></category>
		<category><![CDATA[Montale]]></category>
		<category><![CDATA[Moravia]]></category>
		<category><![CDATA[Paris]]></category>
		<category><![CDATA[Pasolini]]></category>
		<category><![CDATA[Pavese]]></category>
		<category><![CDATA[Pedullà]]></category>
		<category><![CDATA[Permunian]]></category>
		<category><![CDATA[Perniola]]></category>
		<category><![CDATA[Piero Citati]]></category>
		<category><![CDATA[Pirandello]]></category>
		<category><![CDATA[Salinger]]></category>
		<category><![CDATA[Schücking]]></category>
		<category><![CDATA[Segre]]></category>
		<category><![CDATA[Severgnini]]></category>
		<category><![CDATA[Svevo]]></category>
		<category><![CDATA[Vasta]]></category>
		<category><![CDATA[Verga]]></category>
		<category><![CDATA[Vorpsi]]></category>
		<category><![CDATA[Wallace]]></category>
		<category><![CDATA[Zola]]></category>

		<guid isPermaLink="false">http://scritture.mirtillo.pedani.it/?p=308</guid>
		<description><![CDATA[Cultura, comunicazione e sagre dell’inutile. Segre: eredità non riscosse. Dubois: la letteratura e le sue legittimazioni. Schücking: gruppi letterari e concorrenza commerciale. La scrittura, il digitale e Cicerone. Cordelli: il parlamento della palude. Cortellessa: la terra della prosa. Tribalismo e <a class="mh-excerpt-more" href="/mag/la-palude-letteraria/" title="La palude letteraria">[...]</a>]]></description>
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		<item>
		<title>Declinazioni dell&#8217;autore</title>
		<link>/mag/declinazioni-dellautore/</link>
		<pubDate>Thu, 14 Feb 2013 11:00:52 +0000</pubDate>
		<dc:creator><![CDATA[Claudio Comandini]]></dc:creator>
				<category><![CDATA[Diario]]></category>
		<category><![CDATA[editoria]]></category>
		<category><![CDATA[filosofia]]></category>
		<category><![CDATA[letteratura]]></category>
		<category><![CDATA[Agamben]]></category>
		<category><![CDATA[Barthes]]></category>
		<category><![CDATA[Calvino]]></category>
		<category><![CDATA[Claudio Comandini]]></category>
		<category><![CDATA[Derrida]]></category>
		<category><![CDATA[Dubois]]></category>
		<category><![CDATA[Ferroni]]></category>
		<category><![CDATA[Foucault]]></category>
		<category><![CDATA[Montale]]></category>
		<category><![CDATA[Perniola]]></category>
		<category><![CDATA[Pound]]></category>
		<category><![CDATA[Schopenauer]]></category>
		<category><![CDATA[Svevo]]></category>

		<guid isPermaLink="false">http://scritture.mirtillo.pedani.it/?p=413</guid>
		<description><![CDATA[Responsabilità della scrittura. Pound e la produzione della letteratura. L&#8217;autore di fronte a Foucault, Derrida, Barthes, Dubois. Agamben e il gesto. Fare il libro. Ideazione e redazione. Labor limae, elocutio, pronunciatio, editing. Calvino: dalla parte di chi legge. Svevo, Montale <a class="mh-excerpt-more" href="/mag/declinazioni-dellautore/" title="Declinazioni dell&#8217;autore">[...]</a>]]></description>
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		<title>Spazi vuoti</title>
		<link>/mag/spazi-vuoti/</link>
		<pubDate>Sat, 03 Nov 2012 11:00:18 +0000</pubDate>
		<dc:creator><![CDATA[Claudio Comandini]]></dc:creator>
				<category><![CDATA[antropologia]]></category>
		<category><![CDATA[Diario]]></category>
		<category><![CDATA[filosofia]]></category>
		<category><![CDATA[letteratura]]></category>
		<category><![CDATA[poesia]]></category>
		<category><![CDATA[politica]]></category>
		<category><![CDATA[religioni]]></category>
		<category><![CDATA[scienza]]></category>
		<category><![CDATA[storia]]></category>
		<category><![CDATA[Bibesco]]></category>
		<category><![CDATA[Bisanzio]]></category>
		<category><![CDATA[Byron]]></category>
		<category><![CDATA[castelli romani]]></category>
		<category><![CDATA[Claudio Comandini]]></category>
		<category><![CDATA[Cristianesimo]]></category>
		<category><![CDATA[Derrida]]></category>
		<category><![CDATA[Flaubert]]></category>
		<category><![CDATA[Islam]]></category>
		<category><![CDATA[Istanbul]]></category>
		<category><![CDATA[James Frazer]]></category>
		<category><![CDATA[Montale]]></category>
		<category><![CDATA[Turchia]]></category>
		<category><![CDATA[viaggi]]></category>

		<guid isPermaLink="false">http://scritture.mirtillo.pedani.it/?p=784</guid>
		<description><![CDATA[Lo spazio vuoto della storia e una santa mai esistita. La Turchia vista da Hagia Sofia. Ricorrenze del simbolo della mezzaluna tra l’Islam e Genzano di Roma. I nomi della dea. Principessa Bibesco e Flaubert: il tempio dell’idea, la capitale <a class="mh-excerpt-more" href="/mag/spazi-vuoti/" title="Spazi vuoti">[...]</a>]]></description>
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		<title>La natura dopo la natura. Montale: la perdita dell’innocenza e la conquista del linguaggio</title>
		<link>/mag/montale-natura-innocenza-linguaggio/</link>
		<pubDate>Mon, 14 May 2012 10:00:08 +0000</pubDate>
		<dc:creator><![CDATA[Claudio Comandini]]></dc:creator>
				<category><![CDATA[Diario]]></category>
		<category><![CDATA[filosofia]]></category>
		<category><![CDATA[letteratura]]></category>
		<category><![CDATA[poesia]]></category>
		<category><![CDATA[scienza]]></category>
		<category><![CDATA[Arshi Pipa]]></category>
		<category><![CDATA[Baader]]></category>
		<category><![CDATA[Bigongiari]]></category>
		<category><![CDATA[Boutroux]]></category>
		<category><![CDATA[Claudio Comandini]]></category>
		<category><![CDATA[contingenza]]></category>
		<category><![CDATA[Eistein]]></category>
		<category><![CDATA[Gentile]]></category>
		<category><![CDATA[Hegel]]></category>
		<category><![CDATA[Heisenberg]]></category>
		<category><![CDATA[Husserl]]></category>
		<category><![CDATA[Kant]]></category>
		<category><![CDATA[Kleist]]></category>
		<category><![CDATA[Mallarmé]]></category>
		<category><![CDATA[Montale]]></category>
		<category><![CDATA[Rimbaud]]></category>
		<category><![CDATA[Schiller]]></category>
		<category><![CDATA[Simmel]]></category>

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		<description><![CDATA[Le critiche al determinismo meccanicista. Kleist: il peccato originale della razionalità. Schiller: la tensione morale all’ideale. Kant: il tutto e le parti. Goethe: la veste vivente della divinità. Hegel: reciprocità di mezzo e fine. Boutroux: il contingentismo. Einstein: caso e <a class="mh-excerpt-more" href="/mag/montale-natura-innocenza-linguaggio/" title="La natura dopo la natura. Montale: la perdita dell’innocenza e la conquista del linguaggio">[...]</a>]]></description>
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