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	<description>Testi e tessiture: la scrittura e le sue declinazioni</description>
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		<title>Il noir (e il giallo e il thriller) come arte</title>
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		<pubDate>Mon, 10 Apr 2017 10:00:50 +0000</pubDate>
		<dc:creator><![CDATA[Oscar Montani]]></dc:creator>
				<category><![CDATA[arte]]></category>
		<category><![CDATA[editoria]]></category>
		<category><![CDATA[narrazioni]]></category>
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		<category><![CDATA[noir]]></category>
		<category><![CDATA[Oscar Montani]]></category>
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		<description><![CDATA[Le narrazioni noir, gialle e affini, conoscono metropoli e province, eccellenze e mestieranti, hanno tecniche per risolvere problemi nelle quali le preoccupazioni scientifiche e matematiche sono decisive. Oscar Montani, autore di romanzi (ultimo libro “La pazienza del gatto”, 2016) e direttore <a class="mh-excerpt-more" href="/mag/il-noir-e-il-giallo-e-il-thriller-come-arte/" title="Il noir (e il giallo e il thriller) come arte">[...]</a>]]></description>
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		<title>La verità disturbata della tecnologia</title>
		<link>/mag/la-verita-disturbata-della-tecnologia/</link>
		<pubDate>Wed, 25 Jan 2017 11:00:17 +0000</pubDate>
		<dc:creator><![CDATA[Katharine Viner]]></dc:creator>
				<category><![CDATA[comunicazione]]></category>
		<category><![CDATA[editoria]]></category>
		<category><![CDATA[politica]]></category>
		<category><![CDATA[Rivista]]></category>
		<category><![CDATA[società]]></category>
		<category><![CDATA[Brexit]]></category>
		<category><![CDATA[Europa]]></category>
		<category><![CDATA[giornalismo]]></category>
		<category><![CDATA[Habermas]]></category>
		<category><![CDATA[informazione]]></category>
		<category><![CDATA[Inghilterra]]></category>
		<category><![CDATA[Internet]]></category>
		<category><![CDATA[Katharine Viner]]></category>
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		<description><![CDATA[I social media hanno fagocitato le notizie &#8211; minacciando il consolidamento delle cronache giornalistiche di pubblico interesse e inaugurando un’era nella quale ognuno rivendica la creazione di fatti a proprio arbitrio. Questo tradisce del tutto il modello, aperto e agerarchico, <a class="mh-excerpt-more" href="/mag/la-verita-disturbata-della-tecnologia/" title="La verità disturbata della tecnologia">[...]</a>]]></description>
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		<title>Chi paga per la condivisione?</title>
		<link>/mag/chi-paga-per-la-condivisione/</link>
		<pubDate>Fri, 15 Apr 2016 10:00:41 +0000</pubDate>
		<dc:creator><![CDATA[Annamaria Testa]]></dc:creator>
				<category><![CDATA[comunicazione]]></category>
		<category><![CDATA[economia]]></category>
		<category><![CDATA[editoria]]></category>
		<category><![CDATA[Rivista]]></category>
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		<category><![CDATA[Annamaria Testa]]></category>
		<category><![CDATA[Internet]]></category>
		<category><![CDATA[Perniola]]></category>
		<category><![CDATA[Scritture]]></category>
		<category><![CDATA[social network]]></category>

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		<description><![CDATA[È necessaria una mappatura di forme e modi con cui la comunicazione e la condivisione delle informazioni stanno ridefinendo, e non soltanto nel virtuale, economia e cultura. Questa utile topografia compilata da Annamaria Testa, pubblicitaria e giornalista, deve però essere accompagnata <a class="mh-excerpt-more" href="/mag/chi-paga-per-la-condivisione/" title="Chi paga per la condivisione?">[...]</a>]]></description>
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		<title>Gianni Celati e la fuga dalla letteratura</title>
		<link>/mag/gianni-celati-e-la-fuga-dalla-letteratura/</link>
		<pubDate>Thu, 03 Mar 2016 11:00:55 +0000</pubDate>
		<dc:creator><![CDATA[Ermanno Cavazzoni]]></dc:creator>
				<category><![CDATA[editoria]]></category>
		<category><![CDATA[letteratura]]></category>
		<category><![CDATA[narrazioni]]></category>
		<category><![CDATA[Andrè Gide]]></category>
		<category><![CDATA[Belpoliti]]></category>
		<category><![CDATA[Cavazzoni]]></category>
		<category><![CDATA[Celati]]></category>

		<guid isPermaLink="false">http://scritture.mirtillo.pedani.it/?p=181</guid>
		<description><![CDATA[«Ma i risucchi non funzionano mai così, non possono avere orari, non possono nascere per dovere. Possono esserci solo se tutto succede per caso al momento giusto, nel posto giusto, perché fuori dal loro posto e malo loro attimo i <a class="mh-excerpt-more" href="/mag/gianni-celati-e-la-fuga-dalla-letteratura/" title="Gianni Celati e la fuga dalla letteratura">[...]</a>]]></description>
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		<title>Orizzonti editoriali e mondo digitale</title>
		<link>/mag/orizzonti-editoriali-mondo-digitale/</link>
		<pubDate>Tue, 01 Mar 2016 11:00:57 +0000</pubDate>
		<dc:creator><![CDATA[Massimo Bray]]></dc:creator>
				<category><![CDATA[antropologia]]></category>
		<category><![CDATA[comunicazione]]></category>
		<category><![CDATA[editoria]]></category>
		<category><![CDATA[Rivista]]></category>
		<category><![CDATA[Calvino]]></category>
		<category><![CDATA[Internet]]></category>
		<category><![CDATA[Lévi-Strauss]]></category>
		<category><![CDATA[Massimo Bray]]></category>
		<category><![CDATA[social network]]></category>

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		<description><![CDATA[Salvaguardare le scienze umanistiche da una visione riduttiva che vuole relegarle nell’archivio dell’inutile, emancipare la Rete dagli usi compulsivi che non permettono la diffusione dei saperi. Ricordava Italo Calvino che in un epoca di veloci cambiamenti è necessario essere come <a class="mh-excerpt-more" href="/mag/orizzonti-editoriali-mondo-digitale/" title="Orizzonti editoriali e mondo digitale">[...]</a>]]></description>
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		<title>La palude letteraria</title>
		<link>/mag/la-palude-letteraria/</link>
		<pubDate>Thu, 31 Jul 2014 10:00:55 +0000</pubDate>
		<dc:creator><![CDATA[Claudio Comandini]]></dc:creator>
				<category><![CDATA[Diario]]></category>
		<category><![CDATA[editoria]]></category>
		<category><![CDATA[filosofia]]></category>
		<category><![CDATA[letteratura]]></category>
		<category><![CDATA[narrazioni]]></category>
		<category><![CDATA[Alfred Döblin]]></category>
		<category><![CDATA[Ammaniti]]></category>
		<category><![CDATA[Arbasino]]></category>
		<category><![CDATA[Arminio]]></category>
		<category><![CDATA[Augé]]></category>
		<category><![CDATA[Balzac]]></category>
		<category><![CDATA[Baricco]]></category>
		<category><![CDATA[Baudelaire]]></category>
		<category><![CDATA[Benjamin]]></category>
		<category><![CDATA[Berardinelli]]></category>
		<category><![CDATA[Burroughs]]></category>
		<category><![CDATA[Busi]]></category>
		<category><![CDATA[Calvino]]></category>
		<category><![CDATA[Carofiglio]]></category>
		<category><![CDATA[Cassirer]]></category>
		<category><![CDATA[Cavazzoni]]></category>
		<category><![CDATA[Celati]]></category>
		<category><![CDATA[Céline]]></category>
		<category><![CDATA[Cicerone]]></category>
		<category><![CDATA[Claudio Comandini]]></category>
		<category><![CDATA[Cordelli]]></category>
		<category><![CDATA[Cortellessa]]></category>
		<category><![CDATA[D’Annunzio]]></category>
		<category><![CDATA[De Cataldo]]></category>
		<category><![CDATA[Derrida]]></category>
		<category><![CDATA[Di Consoli]]></category>
		<category><![CDATA[Di Paolo]]></category>
		<category><![CDATA[Di Stefano]]></category>
		<category><![CDATA[Dubois]]></category>
		<category><![CDATA[Eco]]></category>
		<category><![CDATA[Falco]]></category>
		<category><![CDATA[Flaubert]]></category>
		<category><![CDATA[Gide]]></category>
		<category><![CDATA[Giulio Ferroni]]></category>
		<category><![CDATA[Goethe]]></category>
		<category><![CDATA[Günther Grass]]></category>
		<category><![CDATA[Hegel]]></category>
		<category><![CDATA[Lagioia]]></category>
		<category><![CDATA[Lyotard]]></category>
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		<category><![CDATA[Mauresing]]></category>
		<category><![CDATA[Montale]]></category>
		<category><![CDATA[Moravia]]></category>
		<category><![CDATA[Paris]]></category>
		<category><![CDATA[Pasolini]]></category>
		<category><![CDATA[Pavese]]></category>
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		<category><![CDATA[Permunian]]></category>
		<category><![CDATA[Perniola]]></category>
		<category><![CDATA[Piero Citati]]></category>
		<category><![CDATA[Pirandello]]></category>
		<category><![CDATA[Salinger]]></category>
		<category><![CDATA[Schücking]]></category>
		<category><![CDATA[Segre]]></category>
		<category><![CDATA[Severgnini]]></category>
		<category><![CDATA[Svevo]]></category>
		<category><![CDATA[Vasta]]></category>
		<category><![CDATA[Verga]]></category>
		<category><![CDATA[Vorpsi]]></category>
		<category><![CDATA[Wallace]]></category>
		<category><![CDATA[Zola]]></category>

		<guid isPermaLink="false">http://scritture.mirtillo.pedani.it/?p=308</guid>
		<description><![CDATA[Cultura, comunicazione e sagre dell’inutile. Segre: eredità non riscosse. Dubois: la letteratura e le sue legittimazioni. Schücking: gruppi letterari e concorrenza commerciale. La scrittura, il digitale e Cicerone. Cordelli: il parlamento della palude. Cortellessa: la terra della prosa. Tribalismo e <a class="mh-excerpt-more" href="/mag/la-palude-letteraria/" title="La palude letteraria">[...]</a>]]></description>
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		<title>De neolingua</title>
		<link>/mag/de-neolingua/</link>
		<pubDate>Mon, 02 Jun 2014 10:00:44 +0000</pubDate>
		<dc:creator><![CDATA[Claudio Comandini]]></dc:creator>
				<category><![CDATA[comunicazione]]></category>
		<category><![CDATA[Diario]]></category>
		<category><![CDATA[editoria]]></category>
		<category><![CDATA[filosofia]]></category>
		<category><![CDATA[letteratura]]></category>
		<category><![CDATA[musica]]></category>
		<category><![CDATA[narrazioni]]></category>
		<category><![CDATA[poesia]]></category>
		<category><![CDATA[politica]]></category>
		<category><![CDATA[società]]></category>
		<category><![CDATA[storia]]></category>
		<category><![CDATA[11 settembre]]></category>
		<category><![CDATA[Berlino]]></category>
		<category><![CDATA[cattolicesimo]]></category>
		<category><![CDATA[Claudio Comandini]]></category>
		<category><![CDATA[Germania]]></category>
		<category><![CDATA[improvvisazione]]></category>
		<category><![CDATA[Internet]]></category>
		<category><![CDATA[Manzoni]]></category>
		<category><![CDATA[neoliberismo]]></category>
		<category><![CDATA[Neolingua]]></category>
		<category><![CDATA[Nietzsche]]></category>
		<category><![CDATA[Orwell]]></category>
		<category><![CDATA[Perniola]]></category>
		<category><![CDATA[sessualità]]></category>
		<category><![CDATA[social network]]></category>
		<category><![CDATA[Sonderweg]]></category>
		<category><![CDATA[USA]]></category>

		<guid isPermaLink="false">/?p=1204</guid>
		<description><![CDATA[I tre vocabolari della neolingua. L&#8217;associazione di sostantivo e verbo e altri sistemi per paralizzare l&#8217;intelletto. Rettifica della storia e mutabilità del passato. Guerra infinita e conflitto in Crimea. Codici giovanili, burocratici e scientifici. Materialismo dialettico e radicalismi di maniera. <a class="mh-excerpt-more" href="/mag/de-neolingua/" title="De neolingua">[...]</a>]]></description>
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		<title>Declinazioni dell&#8217;autore</title>
		<link>/mag/declinazioni-dellautore/</link>
		<pubDate>Thu, 14 Feb 2013 11:00:52 +0000</pubDate>
		<dc:creator><![CDATA[Claudio Comandini]]></dc:creator>
				<category><![CDATA[Diario]]></category>
		<category><![CDATA[editoria]]></category>
		<category><![CDATA[filosofia]]></category>
		<category><![CDATA[letteratura]]></category>
		<category><![CDATA[Agamben]]></category>
		<category><![CDATA[Barthes]]></category>
		<category><![CDATA[Calvino]]></category>
		<category><![CDATA[Claudio Comandini]]></category>
		<category><![CDATA[Derrida]]></category>
		<category><![CDATA[Dubois]]></category>
		<category><![CDATA[Ferroni]]></category>
		<category><![CDATA[Foucault]]></category>
		<category><![CDATA[Montale]]></category>
		<category><![CDATA[Perniola]]></category>
		<category><![CDATA[Pound]]></category>
		<category><![CDATA[Schopenauer]]></category>
		<category><![CDATA[Svevo]]></category>

		<guid isPermaLink="false">http://scritture.mirtillo.pedani.it/?p=413</guid>
		<description><![CDATA[Responsabilità della scrittura. Pound e la produzione della letteratura. L&#8217;autore di fronte a Foucault, Derrida, Barthes, Dubois. Agamben e il gesto. Fare il libro. Ideazione e redazione. Labor limae, elocutio, pronunciatio, editing. Calvino: dalla parte di chi legge. Svevo, Montale <a class="mh-excerpt-more" href="/mag/declinazioni-dellautore/" title="Declinazioni dell&#8217;autore">[...]</a>]]></description>
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